It stood out on home stereos, in cars, and on table radios and not because it was louder. The resulting LP sounded punchier, brighter (in a good way), and more detailed than most rock albums of the era. Ludwig cut the lacquers from this digital master. This was a daring, high-tech way of recording for 1980. The resulting two-track masters were recorded digitally to ¾" U-matic videocassette via a Sony 1600 A/D converter. The album was mixed through Le Studio's Solid State Logic 4000E console. Mastering engineer Bob Ludwig told me that half of those tracks were for Peart's drum mikes, including a Crown pressure-zone microphone duct-taped to his chest. The album was recorded by Paul Northfield on 48 trackstwo interlocked Studer A80 24-track, 2" tape recorders. With big ambitions and a bigger budget, Rush pushed the 1980 state of the art. By the end of November, the album was complete. They started recording in October, at Le Studio in Morin Heights, Quebec. They continued to develop the song ideas during the summer of 1980, then went out on the road for a short North American tour to hone the tunes further. It still holds a special place in many musical hearts, including mine.Īfter the success of 1980's Permanent Waves, Rush toured extensively and planned to release a live album, but new music and lyrics emerged while the band was on the road, and a joint recording session with Canadian band Max Webster (including Canadian poet Pye Dubois) resulted in collaborative lyrics for a song that became "Tom Sawyer." The band decided to do a new studio album instead. Its pairing of virtuoso musicianship with radio-friendly riffs, hooks that are at once edgy and direct, and lyrics that are at the same time plain-spoken and enigmatic captured the imaginations of nascent MTV-generation rock fans. Moving Pictures has influenced generations of rock, prog, grunge, and even jazz musicians. One of those, surely, is Rush's Moving Pictures, a multiplatinum seller with hits that have stayed in rotation on certain FM radio stations ever since the album's release more than 40 years ago. And then there are albums that had just as much influence but were megahitsa much rarer thing. The Velvet Underground & Nico comes to mind. Certain albums stand as monuments because of the influence they had on contemporary and future musicians despite having little commercial success.
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